"Yes, Mommy"

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Graphite on Stonehenge Paper

8 x 10

My baby boy again. I think he is going through a sticking out his tongue phase. Lately it has been difficult to get a decent picture of him without his tongue sticking out...:):)

"Apple And Lace" Watercolor

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Watercolor on Watercolor paper

8 x 10

This is the second time doing this apple. The first one was done with colored pencil. I like doing the same image more than once in various mediums.

$250.00 + $20.00 S&H

"Playtime" Graphite drawing

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Graphite Drawing On Stonehenge paper

8 x 10

"Peek A Boo" Graphite Drawing

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Copyright Reserved By The Artist Graphite on Stonehenge paper 8 x 10

I just can't help myself when it comes to drawing my son. He loves to be photographed which allows me lots of choices when I go to draw him.

"Bound #9" Graphite Drawing

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Graphite Drawing On Stonehenge Paper

8 x 10

$250.00 + $20.00 S&H

"Bound #8" Graphite drawing

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Graphite Drawing On Stonehenge Paper

8 x 10

This is the eighth drawing in a series of 10. Today on Facebook a friend of mine asked me what inspired this drawing. Another friend of mine suggested that it was a fetish of mine. The Bound series of drawings for me are far removed from BDSM and the fetish culture. I was drawn to a group of photographs by an amazing photographer. Yes, they were erotic and fetish in nature but that is not what spoke to me. The way the rope wrapped the body like a secure blanket. The pattern of the rope as well. The way the rope defined and was defined by the planes of the figure. I just found the whole thing beautiful. This made me then consider why would I find this beautiful and others find it offensive in a way. People shun what they don't understand. People sometimes don't allow themselves to see the beauty in the strange or the socially unacceptable. I hope people can see pass the fetish side of my drawings and embrace the beauty of the nude.

$250.00 + $20.00 S&H

"Time Goes On" Graphite and ink

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Graphite and Ink On Stonehenge Paper

8 x 10

$200.00 + $20.00 S&H

"Green Tomatoes #2" Acrylic on stretched canvas

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Acrylic paint On Stretched Canvas

8 x 10

The time of getting fame for your name on its own is over. Artwork that is only about wanting to be famous will never make you famous. Any fame is a by-product of making something that means something. You don't go to a restaurant and order a meal because you want to have a shit. =BANKSY (British Graffiti Artist)

$300.00 + $20.00 S&H

"Bound #7" Graphite On Stonehenge Paper

Purchased By L Sheaves

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Graphite On Stonehenge Paper

8 x 10

* A good painter has two main objects to paint, man and the intention of his soul. The former is easy, the latter hard as he has to represent it by the attitude and movement of the limbs. LEONARDA DA VINCI

$250.00 + $20.00 S&H

"Cheeries" Colored Pencil On stonehenge paper

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Colored Pencil On Stonehenge Paper

8 x 10

$300.00 + $20.00 S&H

"Bound #6" Graphite on stonehemge paper

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Graphite Drawing On Stonehenge Paper

8 x 10

The living model, the naked body of a woman, is the privileged seat of feeling, but also of questioning... The model must mark you, awaken in you an emotion which you seek in turn to express. HENRI MATISSE

$250.00 + $20.00 S&H

"Bing Cherries" Acrylic on stretched canvas

SOLD

(Reg and Sheri M.)

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Acrylic Paint on Gallery stretched Canvas

16 x 20

"Bound #5" Graphite On stonehenge paper

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Graphite On Stonehenge Paper

8 x 10

"Blinding ignorance does mislead us. O! Wretched mortals, open your eyes!" DA VINCI

$250.00 + $20.00 S&H

"Bound #4" Graphite Drawing On Stonehenge paper

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Graphite on Stonehenge Paper

8 x 10

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Truth and reality in art do not arise until you no longer understand what you are doing and are capable of but nevertheless sense a power that grows in proportion to your resistance. HENRI MATISSE

$250.00 + $20.00 S&H

"Memories of Touch" Ink, Colored pencil and graphite on stonehenge paper

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Graphite, ink and colored pencil on Stonehenge Paper

20' x 24'

*

This is a much bigger piece than I am used to doing. It was also somewhat of a struggle to complete but my abstracts usually are. When I look back on the finished "product" I can always see the journey of ideas and the pattern of time in my work. For me, there is such a clear beginning and end. Imagery wise, this piece tells the story of the journey that sperm make within their short lives.

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The true work of art is but a shadow of the divine perfection.::: Michelangelo :::

"Mother's Day Flower" Colored pencil and Ink on stonehenge paper

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Colored pencil and ink on Stonehenge paper

8 x 10

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This was a quick and simple ink drawing but one I think that turned out quite well. It was fun to do!!

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The attitude that nature is chaotic and that the artist puts order into it is a very absurd point of view, I think. All that we can hope for is to put some order into ourselves. WILLEM DE KOONING

"Bound #3" Graphite on stonehenge paper

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Graphite drawing On Stonehenge paper

8 x 10

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For me the Bound Series does not represent a literal representation of the bound figure. It is more symbolic. The figures , even though they appear bound, also appear strong and sure. Is it just the rope that binds? Or is it binding of what we put upon ourselves both mentally and socially?

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Drawing is the art of being able to leave an accurate record of the experience of what one isn't, of what one doesn't know. A great drawer is either confirming beautifully what is commonplace or probing authoritatively the unknown. BRETT WHITELEY

$250.00 + $20.00 S&H

"Apples" Ink and pen on stonehenge paper

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Ink and pen on stonehenge paper

5 x 7

"Bound #2" graphite drawing on stonehenge paper

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Graphite drawing on Stonehenge paper

8 x 10

*

This is the second piece in my new series titled "BOUND". The eye is directed through the piece by the arms. They dissect the image into two halves while the rope creates a horizontal dissection. Even though the figure would appear vunerable due to the rope, the woman seems strong and sure of herself. What binds her besides the physical?

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What I'm attempting in each picture is nothing other than this.. to bring together in a living and viable way, the most different and the most contradictory elements in the greatest possible freedom. GERHARD RICHTER

$250.00 + $20.00 S&H

"Bound”

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Graphite drawing on Stonehenge paper

8 x 10

$250.00 + $20.00 S&H

For some time now, I have been debating whether or not to start a body of work based on the human figure. I have always been interested in how our society views the nude figure and how our acceptance of it has changed over the centuries. The debate between art and obscenity is an old one and artists have been walking that line ever since cave men scratched the first nude figures on the walls of caves. Even with all of our advancements in technology, science and the arts, the nude figure still remains something of a mystery. Most of the nude images in our culture tends to be crude , pornographic style images. Multi media has crossed that "line" from something that is tasteful to out and out vulgarity.

Then I came across a photographer that had created these beautiful pictures of bound women. On the whole the pictures were sensual, tasteful and respectful. I started to wonder why these pictures appealed to me even though the subject matter should have been distasteful. Then I started to think, would i feel the same way towards this image if the rope was not in the picture. What is it about the rope that changes this picture from something normal and acceptable to something on a different level.

I was also drawn to how the rope dissected the body. The rope shatters the body and creates beautiful lines the follow the line of the body but in its own right creates it own pattern as well.

Then I was lucky enough to come across the winners of THE INTERNATIONAL BIENNIAL FOR ENGRAVING. Anyone who knows my background knows I am a print maker and as soon as I saw this image I was captivated. The artist's name is Elena Petrocco. In seeing her image I realzied that I am not alone in my facination with the bound human body and what it means in our culture.

PREMIO GIOVANI

Elena Petrocco (Italy)

Mortificazione, 2007

Drypoint, 415 x 280 mm

Elena Petrocco writes: "The work “Mortificazione” is an engraving entirely realized with the direct technique of the Drypoint on a zinc plate. The printing sent to the competition has been made on a German paper called Hahnemueller. The unequalled character of the mark realized through this technique, characterized by the suffused glow of the edges and by the precise line, gave me the possibility of reaching the best result I could get. As the dry point is only intended for few printings – the mark tends to disappear because of the pressure made by the press during the printing – in the following copies I had to intervene in order to rectify the lighter and more delicate tones.

The work belongs to a project called “ The Unveiled Body” I realized while attending the Academy of Fine Arts in L’Aquila and then presented as my degree thesis.

My survey starts from the opinion that the body is today, more than ever, the centre of our contemporary tensions, great economic, philosophical, political, genetic, media, scientific and social considerations are directed towards the body. It’s a paradigm, constantly renewing itself as far as it is engraved and marked on the societies’ memory. It’s a magnetic algorithm drawing our eye and “raiding” our mind.

In our exhibitionist and vulgar culture, the naked body is fashionable – it’s no more a taboo – but an expression of corporeity made banal, endlessly repeated, propagandizing a useless eroticism, without any involvement. The body becomes a ready-made product of the organic sphere, of the world, of the human being coming out to be flesh without mystery. I have been trying to analyze all this through marks and shapes, by interpreting them in a succession of change and contamination cancelling the already weak frontiers of knowledge.

“Mortificazione” intends to be a description of affliction, it’s a container of the “vacuum-sealed” beauty; metaphor of the senses lost in the broken up anatomy merchandised by media as flesh for slaughter. “Mortificazione” represents the awareness of the body deceiving the senses and the truth and it shows its pain in its imprisonment of knots and ropes.

My work is a “manifesto” of protest reminding that the body must be matter of life, being the only evidence of the existence, the only thing giving us the possibility of not disappearing in the ether and not to be robotized and swallowed up by the virtual space.

I was born in Campobasso in 1985; I got a First Level diploma in Fine arts and media studies – Course of Graphics and I’m now attending the last year of the Multimedia Graphics course – Second Level. I approached the world of chalcographic printmaking when I was 16 and the Academy of Fine Arts gave me the possibility of going deeper into my knowledge of this art. I have had several artistic experiences, increased in these last two years with my participation into exhibitions and competitions. The most important exhibitions have been in 2008 the Joint Exhibition “Glances at the town” at the Sixteenth Century Castle in L’Aquila, realizing a twinning with the Graphic Department of the Academy in Valencia; the exhibitions held in the palace of the Region of Abruzzo and in MUSPAC, the experimental Museum of Contemporary Art in L’Aquila, the exhibition at the Museo del Corso (Rome Foundation), in Via del Corso after mention and Diploma of Merit for the competition Fondazione G. Onesti – Italian National Olympic Academy with the work “Italian Disease, The Doping”.

"A Day At The Park"

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Graphite on Stonehenge Paper

8 x 10

*

My son provides a constant supplies of images for his mother to draw and paint!! When he was born I decided that instead of just tracking his growth and life through regular photography and video (which I do as well) I wanted to have a diary of drawings and paintings of him. None of them are for sale becasue they are his to do as he please when he grows up...:)

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There's no retirement for an artist, it's your way of living so there's no end to it. - Henry Moore

"Green Tomatoes" Colored Pencil On Stonehenge Paper

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Colored Pencil on stonehenge paper

8 x 10

I found I could say things with color and shapes that I couldn't say any other way - things I had no words for. ~Georgia O'Keeffe

"Revolution"

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Ink and Colored Pencil On Stonehenge Paper

8 x 10

We all know that Art is not truth. Art is a lie that makes us realize truth, at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies. ~Pablo Picasso

"Evolution" Ink and Coloered Pencil on stonehenge paper

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Ink and colored Pencil on Stonehenge Paper

8 x 10

"Good Vibrations Part 2" Acrylic Paint on stretched canvas

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Acrylice paint on stretched canvas

12 x 12

This is the second piece in a set.

"Good Vibrations" acrylic paint on canvas

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Copyright reserved By The Artist

Acrylic paint on stretched canvas

12 x 12

"Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The

artist is the hand that plays, touching one key or another, to cause vibrations in the soul."

~Wassily Kandinsky

"Nanny and Bj" Graphite On stonehenge paper

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Graphite Pencil On Stonehenge Paper

8 x 10

"Those who do not want to imitate anything, produce nothing." SALVADOR DALI

"Na Na Na Na Na" Graphite on Stonehenge Paper

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Copyright reserved By the Artist

Graphite Pencil on Stonehenge Paper

8 x 10

An artist is someone who produces things that people don't need to have but that he - for some reason - thinks it would be a good idea to give them. ~Andy Warhol

"Fragments Of Memory" colored pencil and ink on stonehenge paper

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Water Soluble Colored Pencil and Ink on Stonehenge Paper

10 x 13

"Rainbow Peppers" acrylic paint on canvas

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Acrylic Paint on Stretched Canvas

12 x 12